An undercover Russian agent who has risen to become the trusted lieutenant of a London mafia boss is instructed to assassinate one of his fellow countrymen.

All Tim wants is to overcome his fears and live a normal life. However as his memory starts to fail him his grip on reality also starts to slip.

A behind-the-scenes look at 1967's "Wait Until Dark," featuring interviews with actor Alan Arkin, and the film's producer Mel Ferrer.

David S. Goyer, Stan Lee, and Wizard magazine's Gareb Shamus discuss the shift from brightly colored superheroes of the 1970s to the darker antiheroes of the '80s and '90s.

Sasha, an excellent student at the Academy of the Ministry of Internal Affairs, is facing a difficult ordeal — serving in the most disadvantaged area of Yugodonsk. He hopes to find his father there, whom he has never seen, a true legend of the criminal investigation department. However, instead of the exemplary hero, Sasha meets his complete opposite, the "Little One." An experienced operative has long established life in the city on the principle of "live by yourself and let others live" — for the sake of his own convenience, the "Little One" turns a blind eye to minor offenses of local residents. Sasha faces an almost impossible task: to solve complicated cases and re-educate his father, a partner who has long been accustomed to solving everything according to his own rules, and not according to protocol.

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Wendy works in a small 1-hour photograph developing shop. She is open late one evening and says goodbye to her friend Trish who works next door. When she is an hour away from closing she gets a call from a Mr. Stanley to say he will pick his pictures up in an hour. She sets about developing them to find blurry images of bound feet and hands etc. Her fear rises even more when the pictures start to be of her, her house, her at work etc. When the phone rings again Wendy answers it to find that Mr. Stanley is coming for his pictures and will not be stopped.

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An internally neurotic but externally charismatic lothario crosses paths with a lesbian who's just as guilty of objectifying women as him.

When the horrific murder of nine Black churchgoers in Charleston, South Carolina in 2015 sparks a national reckoning around the meaning of the Confederate flag, battle lines are drawn in Mississippi to determine the fate of the last state flag to include the most powerful, and divisive, symbol of our fractured history. In Look Away, Look Away, director Patrick O'Connor introduces us to an array of activists, and captures the fierce five-year battle over the Mississippi state flag, revealing how race, heritage and long-simmering grievances over the Civil War shapes our sense of who we are as Americans.